WITHIN THE BEGINNING SCENE WE ARE PLANNING TO INTRODUCE A SURREAL ELEMENT BY POTRAYING THE ACTRESS FALLING ASLEEP ON THE GRASS BY WHICH SHE ENTERS THE DREAM. THIS IS FOLLOWED BY THE BEAT OF THE TICKING WHICH ALLOWS TO REEINFORCE THE SURREAL FEELING OF DREAMING.
THE ENDING OF THE TICKING BEAT ENTERS THE MIDDLE OF OUR STORY LINE WHICH MAINLY POTRAYS A SENSE OF CONFUSION AND LONELINESS WHICH IS MAINLY REEINFORCED THROUGH THE LOCATIONS AS WELL AS PROPS SUCH AS CIGARATTES AND ALCOHOLIC BEVERAGES. THE MIDDLE OF OUR STORY SLOWELY PROGRESSES FROM A CONFUSED CHARACTER TO SOMEONE WHO REALISES THE SENSE OF LIFE AND CHALLENGES HER NEGATIVE APPROACH. THIS TRANSFORMATION WOULD BE DEMONSTRATED THROUGH FAST CUTS SHOTS TO REEIFNORCE THE DYNAMIC NATURE OF THE CHARACTER AND CHANGE OF PERCEPTION.
THE ENDING OF THE SONG IS FOLLOWED BY FAST BEAT WHICH SUDDENLY CUTS, CREATING TENSION. THIS CUT WILL ALLOW US TO CREATE A CYCLE WITHIN THE MUSIC VIDEO AS BY THIS WE WILL BE ALLOWED TO REFER TO THE OPENING SCENE OF THE ACTRESS FALLING ASLEEP, AS THE ENDING WILL PORTRAY THE ACTRESS WAKING UP FROM THE DREAM.
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